Raise your hand if you read Rebecca like six times as a teenager. Just me?
The movie adaptation of Daphne du Maurier’s best-known novel, Rebecca, was released in 1940. It starred Laurence Olivier and Joan Fontaine, was directed by Alfred Hitchcock, and somewhere in the 90s ended up on AMC where little Shannon watched it probably on a sick day. I had strep throat a lot as a kid.
All that was my introduction to Daphne du Maurier. As a grown-up I read Rule Britannia and, in honor of the classics challenge this year, I plowed through The King’s General, her novel set in Cornwall during the English Civil War.
The story centers on narrator Honor Harris, who tells us about her childhood, betrothal to a gentleman scoundrel (my favorite character – think Rhett Butler), and, sadly, her loss of the use of her legs in a riding accident on the eve of her marriage.
What I Liked:
- The gentleman scoundrel: Richard Grenvile is your classic spoiled rogue. His life revolves around being a badass soldier, swindling relations out of their fortunes, and scandalizing the county with his carousing. Like any good romantic hero, he also possesses a tenderness reserved only for the heroine. In other words, he’s a Blanche in the streets and a Dorothy in the sheets. 😉
- Honor’s personality: She’s a bit rebellious herself and, because she’s a “cripple,” her family attributes her with a certain amount of wisdom she doesn’t necessarily possess. But she admits that right away, is amused by it, wields it to her advantage, and thus shows a certain endearing self-awareness.
- The house: Menabilly is an actual estate in Cornwall and du Maurier lived there and restored it while writing this novel. It is also the house where Rebecca is set, though it’s, of course, called Manderley in that story. You get a real sense of Cornwall and of the estate in this book. There is lots of sneaking around secret passages and the like.
What I Didn’t Particularly Like:
- The pace: This story began to drag about halfway through. When the war reaches the doorstep of Menabilly, where Honor and some of her relations are holed up waiting out the fighting, things get interesting. But when the parliamentary army leaves again and Honor and her associates are no longer prisoners in a mansion, the trickle of action slows to a drip. I got bored and had to really focus to plow through.
A tidbit: This novel reminded me very much of, well, every novel I’ve read from, say the 18th-19th centuries, in that its characters and the situations were somewhat typical. By situations, I mean the situations in which characters found themselves and the ways in which they reacted.
So, Honor loses the use of her legs. She then considers herself a burden, doesn’t want to burden the man she loves (Richard Grenvile), and also doesn’t want to be seen as a cripple by the man she loves. So she refuses to see him and cuts off all communication with him. He moves on with his life and ends up marrying a rich widow.
Now if that doesn’t scream heroine of classic European fiction, I don’t know what does.
Seems to me the main issue of unrequited love in the novel could’ve been solved with a good talking to.
Do read it, though, if you like interesting heroines. Du Maurier never fails me there.
p.s. This is my entry for the classics challenge Classic by a Woman Author category.